| MASTER B&W PRINTS | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| Click here for Exhibition B&W Prints | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| These are output directly from your file, we do not alter them in any way. For those who wish to do their own contrast control, burning and dodging in Photoshop, this is the way to go. If your file is fine-tuned exactly the way you want it, you can save on the cost of printing. We use the same devices, inks and papers that we produce Exhibition Prints with, the difference is that you take responsibility for the creative part of the image control. Images that are reprints from previous jobs with us qualify for this level of pricing. We guarantee consistency with prior output or a bon à tirer, which is particularly important to those who are editioning an image. This enables the production of an edition over a period of time instead of all at once to assure uniformity. You can FTP your files to us directly, or send them on CD or Zip disks. Jobs are completed on a first-come-first served basis, our turnaround time is usually 3 days from the time we receive them. Often we can complete an order in less, depending on workload. Master Prints are produced with the ink and paper of your choice. Prints up to 20x24 are shipped flat, larger sizes are rolled and sent in appropriately sized tubes or boxes. Shipping charges are added to the cost of the order. You will NOT have to pay any sales tax, as Oregon does not require it. |
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| Our Inks We print using the Ultrachrome K3 and Cone brands of carbon ink. Cone Quadtones are offered in 2 different tones. One is similar to a Selenium-toned silver gelatin print, the other slightly warmer, towards sepia, but only subtly so. |
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Paper
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| Guidelines for Preparing Your Files Download this .pdf with specific instructions before sending your images to be printed. |
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| Monitor Calibration When preparing your files for us to print, we recommend working in "Gray Gamma 1.8" grayspace. Also make sure that you are editing the image in Grayscale mode, not RGB or CMYK. This is important so that your onscreen preview of the image will correspond to the output of our printers. Whatever grayspace you choose, make sure you embed the working profile in the image files when you send them. If you want consistent, predictable results we highly recommend you hardware calibrate your monitor. The best product we've found for this is X-rite's EyeOne system. Effective calibration can also be accomplished using Monaco's device or Colorvision's packages. If you are unable to work from a calibrated monitor you should have us proof all images you order final prints. |
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Call or email if you have questions or to view examples at our studio.
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| *Custom print sizes are figured based on the area of the print. Contact us if you need sizes other than those listed above. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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DOWNLOAD PRICE LIST
IN PDF FORM |
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